Phenomenal Difference grants new attention to contemporary black British art, exploring its critical and social significance through attention to embodied experience, affectivity, the senses and perception.
Featuring attention to works by the following
artists:
Said Adrus, Zarina Bhimji, Sonia Boyce, Vanley
Burke, Chila Burman, Mona Hatoum, Bhajan Hunjan, Permindar Kaur, Sonia Khurana,
Juginder Lamba, Manjeet Lamba, Hew Locke, Yeu-Lai Mo, Henna Nadeem, Kori
Newkirk, Johannes Phokela, Keith Piper, Shanti Thomas, Aubrey Williams, Mario
Ybarra Jr.
'Leon Wainwright applies a philosophical methodology to black British artists' work to break open the separatist straitjacket that has prevented much of this work from circulating in art canons as anything other than representations of a politics of identity. … [His] aim to proffer the perceptual dimension of black British art as part of a transformative anti-racist politics is admirable and the book is well researched and thought provoking.'
Maria Walsh, Art Monthly
'Cette publication qui est un ouvrage de référence crédible pour le public, les universitaires et les chercheurs, poursuitles recherches sur l’historiographie et les lieux visuels, ainsi que d’autres thèmes avec pour objectif premier de questionner la visibilité de l’art ; à savoir, comment créer un art qui suscite des questions pertinentes, qui devienne significatif, ce que Wainwright définit comme ‘un engagement esthétique plus approfondi’.'
'This publication is a serious work of reference for the public, academics and researchers, advancing research on historiography and visual contexts, as well as other topics, with the primary objective of exploring the visibility of art; namely, how to create an art that raises relevant questions, that becomes meaningful through what Wainwright defines as 'a deeper aesthetic commitment'.''Offers a thoughtful and persuasive examination of the ways in which the theoretical is necessarily underpinned and presupposed by the perceptual... [With] rich descriptions throughout the book ... Wainwright is at his best and his argument at its most convincing, as he brings his phenomenological approach to bear on works of art to unravel the complex relationships between art, artists and the viewer.'
The Burlington Magazine
'The philosophical approach is the one chosen by Leon Wainwright in his book. An ambitious work by an art historian who has already published extensively on the subject, the approach is nevertheless surprising. [...] Stuart Hall, in emphasising what the diasporic element has produced in terms of dislocation since the upheaval of African slavery, reminds us that physical movement and displacement are at the root of "key elements of our present moment and symptomatic of the wider consequences of global connectivity and disjunction".'
Translated from French:
'L’approche philosophique est celle que choisit de privilégier Leon Wainwright dans son ouvrage. Ouvrage ambitieux d’un historien de l’art qui a déjà largement publié sur le sujet, le parti-pris surprend néanmoins. [...] Stuart Hall, en insistant sur ce que l’élément diasporique a produit comme dislocation depuis le bouleversement de l’esclavage des Africains, rappelle que mouvement et déplacement physiques sont "à l’origine des éléments clés de notre moment présent et symptomatiques des conséquences plus vastes d’une connectivité globale et d’une disjonction".'
Elvan Zabunyan, Critique d'art