During the 1990s Rio de Janeiro earned the epithet of ‘divided city', an image underscored by the contrast between its upper-class buildings and nearby hillside ‘favelas.’ The city’s cultural production, however, has been shaped by porous boundaries and multi-ethnic encounters. Drawing on a broad range of historical, theoretical and literary sources, Porous City generates new ways of understanding Rio’s past, its role in the making of Brazilian culture, and its significance to key global debates about modernity and urban practices. This book offers an original perspective on Rio de Janeiro that focuses on the New City, one of the most compelling spaces in the history of modern cities. Once known as both a ‘Little Africa’ and as a ‘Jewish Neighborhood,’ the New City was an important reference for prominent writers, artists, pioneering social scientists and foreign visitors (from Christian missionaries to Orson Welles). It played a crucial role in foundational narratives of Brazil as ‘the country of carnival’ and as a ‘racial democracy.’ Going back to the neighborhood’s creation by royal decree in 1811, this study sheds light on how initially marginalized practices –like samba music– became emblematic of national identity. A critical crossroads of Rio, the New City was largely razed for the construction of a monumental avenue during World War II. Popular musicians protested, but ‘progress’ in the automobile age had a price. The area is now being rediscovered due to developments spurred by the 2016 Olympics. At another moment of transition, Porous City revisits this fascinating metropolis.
'This brilliant cultural history of Rio de Janeiro, while focusing on the specific neighborhood of Cidade Nova, is anything but insular in its methodology and scope. Drawing on a dazzling array of sources-- urban theories, literature, painting, popular music and film, but also city plans, censuses, oral testimonies, memoirs, letters and travel accounts--Bruno Carvalho offers incisive readings of texts, including canonical ones. His argument for Rio de Janeiro as a porous city, defined by social and racial mixtures and cultural inclusions, proposes the concept of porosity over others, such as syncretism or miscegenation, the better to keep in sight ways in which those mixtures can coexist and even abet other forms of discrimination and exclusion. Lively, judicious, and erudite, Porous City makes a fundamental contribution to debates about urban modernism and cultural formations, of interest to both beginning and seasoned scholars of Brazil and Latin America. It asks a still open question, pertinent since the nineteenth century: "How does a culture and self-image defined by mixture coexist with stark socio-economic disparity?'
'Through what he genially calls spatial porosity Carvalho engages a highly informed and inspiring treatment of a great city’s throbbing geology. Readers will learn much about Rio in its development and what a gamut of inhabitants have made of it. Porous City is a vital and lasting contribution to urban and cultural studies.'
'Bruno Carvalho ['s] groundbreaking new book defies specialization and will no doubt become a model for scholars engaged in interdisciplinary research.'
ReVista, Spring 2014
'Bruno Carvalho’s Porous City: A Cultural History of Rio de Janeiro makes a significant contribution to the understanding of Rio’s ‘‘multi-ethnic, multiracial, and multilayered’’.'
Rosana Barbosa, Canadian Journal of History
'Bruno Carvalho’s Porous City helps readers see Rio anew through his meticulously researched microhistory of Cidade Nova, the once culturally vibrant carioca neighbourhood where samba was born. As this masterful study bears out, Cidade Nova is a fascinating microcosm for examining certain paradoxes that have come to define Rio, and Brazil more generally, particularly the co-existence of the celebration of racial mixture and the persistence of dramatic racial inequality.'
Rebecca J. Atencio, Bulletin of Spanish Studies
'Bruno Carvalho’s Porous City: A Cultural History of Rio de Janeiro is a highly recommended read for those with a moderate-to-strong foundation in Brazilian history and culture, and its chapters could serve as useful supplemental material for the graduate classroom. The author does a fine job of moving at an appropriate pace, and his conclusions never seem hastily formulated or exaggerated. Most of all, the considerable research that has gone into the work is commendable and offers plenty of jumping off points for those who would seek to build upon Carvalho’s reading of porosity.' Andrew Frederick Milacci, Middle Atlantic Review of Latin American Studies
Click here if you are not redirected automatically