In contrast to recent theories of the ‘global’ Latin American novel, this book reveals the enduring importance of the national in contemporary Venezuelan fiction, arguing that the novels studied respond to both the nationalist and populist cultural policies of the Bolivarian Revolution and Venezuela’s literary isolation. The latter results from factors including the legacy of the Boom and historically low levels of emigration from Venezuela. Grounded in theories of metafiction and intertextuality, the book provides a close reading of eight novels published between 2004 (the year in which the first Minister for Culture was appointed) and 2012 (the last full year of President Chávez’s life), relating these novels to the context of their production. Each chapter explores a way in which these novels reflect on writing, from the protagonists as readers and writers in different contexts, through appearances from real life writers, to experiments with style and popular culture, and finally questioning the boundaries between fiction and reality. This literary analysis complements overarching studies of the Bolivarian Revolution by offering an insight into how Bolivarian policies and practices affect people on an individual, emotional and creative level. In this context, self-reflexive narratives afford their writers a form of political agency.
'Katie Brown’s monograph explores the intrinsic aesthetic value of literature; how it can be instrumentalized to serve political purposes; and the impact that said instrumentalization has on literary production, access to markets, as well as the creative autonomy and artistic integrity of Venezuelan writers. [...] This monograph is a timely and significant contribution to understanding the effect of Bolivarian cultural policy, and its inherent contradictions, on the ‘minor’ contemporary literature produced by Venezuelans, both within the country and in exile.'
Penelope Plaza, Modern Language Review
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